![]() Sometimes these scenes end up being a little clunky, if only because a starry-eyed dying mother paired with a gruff, serious father (played by Jake Johnson) who can’t emotionally process the oncoming grief is a bit of a cliche at this point. From both Ollie’s memories and the scenes happening concurrently from Billy’s point of view, we learn that Billy’s mother (played by Gina Rodriguez, doing a mildly painful Southern accent) has cancer. The biggest difference between Lost Ollie and other movies and books centering around toys is that Billy’s story makes up a big part of the narrative as well. The trio sets off on their quest, as Ollie slowly starts to put together what happened to Billy. Blige), who used to be Zozo’s traveling companion. After they escape the shop, they find tiny pink teddy bear Rosy (voiced by Mary J. Ollie can only remember a few things about Billy and how he got lost, but he teams up with Zozo (voiced by Tim Blake Nelson), a toy clown who’s also looking for someone he lost. All Ollie knows is that he needs to get back to Billy (Kesler Talbot), the boy he belongs to. ![]() ![]() Lost Ollie follows the titular stuffed rabbit (voiced by Jonathan Groff), who awakens in a thrift store with no recollection of how he got there. By doing so, Lost Ollie reminds us just how evocative that well-worn story can be when given enough care and detail. While Lost Ollie touches on familiar beats of toy-focused stories, it also plunges further into some of the darker implications of a world where toys are alive and fleshes out the child’s point of view. From creator Shannon Tindle, a character designer on Kubo and the Two Strings and Foster’s Home for Imaginary Friends, Lost Ollie is a loose adaptation of William Joyce’s children’s book Ollie’s Odyssey. Netflix’s Lost Ollie is the latest take on this genre. There is a special connection between a child and their favorite toy, and stories like The Velveteen Rabbit, Toy Story, Calvin and Hobbes, Winnie the Pooh, and The Miraculous Journey of Edward Tulane all illustrate that bond in different ways. Stories about toys being real and having feelings are a staple of children’s media, and for good reason. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become real,” says the Skin Horse, the oldest, wisest toy in Margery Williams’ The Velveteen Rabbit, a children’s book that turned 100 this year. Following the exploits of one of Ed McBain's most beloved detectives, this lively and complicated novel - the fifty-second in the award-winning 87th Precinct series - is perhaps his best book yet.“Real isn’t how you are made. But the theft of his first novel fills Ollie with a renewed passion for old-fashioned detective work. Joined by Carella and Kling from the neighboring 87th Precinct, Ollie investigates the homicide with all the exquisite crudeness, insensitivity, and determination for which he is famous. While Ollie's responding to the squeal about the dead councilman, his leather dispatch case is stolen from the back of his car - and in it, the only copy of his precious manuscript. Called Report to the Commissioner, it follows a cunning detective named Olivia Wesley Watts, who, apart from being female and slim, is rather like Fat Ollie himself. But this is the first time Fat Ollie Weeks of the 88th Precinct has written a novel, ah yes. Even when the victim is a city councilman as well known as Lester Henderson. Murders happen every day in the big bad city. ![]()
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